NEOREV wrote:
in regards to "Dogbite," i feel it's lacking a bit without the old wobbles in the chorus. now it feels even more flat than before...
why not combine both the current riff and the old wobble riff and switch back and forth as the track progresses?
tbh i like this direction but yeah a combo could be even cooler.
NEOREV wrote:
that way it's not so samey same same throughout the whole track and just going from part A to part B back to A back to B again. no real structure at the moment. and i'm not really feeling the current noisy high synth in the chorus.
Absolutely.
I feel it lacks in structure/progression and it's flat too .
I think it might be caz of the repetitive
"intense" guitar-riff...sounds like it needs a third interesting part besides the vocals&guitar-riff part to help it last in time...
NEOREV wrote:
from these vids...
AWOL sounds dull to me, nothing really exciting there
i wish Liam would bring back that alt mix that they played in Bratislava
or mix the two or something to make it more interesting
I love AWOL's main notes, tempo and beat-rhythm but yeah it definitely needs to be even more "attractive" to the ear.
imo a good start would be by
tweaking (filtering a bit more,
editing ect) this repetitive voice/scream sound that's triggered for a long time in the mix.
I don't think it flaters the tune at all the way it is right now.
NEOREV wrote:
Jetfighter is so far my fave, but still needs a lot of work
My "title" for this tune would be LOTS of potential in a freaking tight room.
Jetfighter carries tons of energy but it needs to be more interesting.
I'm glad that Liam is strugling to make it more melodic in such a
"crowded place of events".
Targeting parts with more headroom and
less events might be good way to achieve this.
What i'd like to hear is some female vocals under the main vocals too.
Also "underlining" the vocals delay effect properly and "morphing" it with some sound(s) at the right time in the mix would be cool.
i hope for the best