I'm going to add some spicy tone to this thread, be aware!

It's from quite extreme alternative media channel infowars.com.

Sites head, Alex Jones hasn't always gone so far with hes theories. This time it's heavy. I don't consider myself conspiracy theorist, maybe open minded sometimes. still, even this is goes tat far for me.

Anyways have a look, have a laugh if you will


http://www.youtube.com/watch?v=enzaao300M0

Just found some article released back in october 2011, and it make my day!!!! :

The Scares Are Back
Scott reckons he's prepared for both a PG13 and R-rated cut to, in his words, "cover his ass". Not that he's letting studio restrictions distract him from his prime directive: "It will scare the living shit out of you..."


This probably mean that PG18 director's cut will fallow later on discs releases. Yeah

I'm in the middle of rewatching all Alien and Predator movies this easter On blu! Kickass! I'm soo ready for Prometheus to arrive!

"Prometheus has rather helpfully rendered Alien vs Predator and its godwfull sequel obsolete, non-canon fan-fiction."

-from Empire Magazine

Oh, for your own sake, pleaaaaaase watch them seperate... At first I thought you meant Alien vs Predator, and I HAD to comment. hehe

i watched all the alien films at xmas, directors cuits may i add aswell, watched the AVP films last week, now ive started watching the predator films. Never get tired of any of them dont care what anyone says.

No data about his "death".

and, "Prometheus follows Elisabet Shaw, Charlie Holloway, captian Janek, (Fifield, Meredith Vickers, Milburn, David, etc) and mysterious old man that nobody, but nobody is willing to go on the record about."
- from Empire Magazine

Hehe I am! I'm on Resurrection now! Then the 3 Predators, and THEN the 2 AvP movies ^^

Excellent!

The world needs to forget the ones that don't belong.

some pics there

New game, no predators, story is probably canon and controlled by Fox.

Trailer:
http://www.youtube.com/watch?v=hJZ7XruU ... re=related


New gameplay video shown yesterday:
http://www.youtube.com/watch?v=9CHGJkNy4LA

New ?

This game has been in development by Gearbox for like 6 years mate ,
it's commonly known the story takes place AFTER Aliens , on LV-246.

So nothing to control here.

Yes, I know, it was deleyed many times, and sometimes because of "special resons" like they first need to re-re-re-finish DNF

But game is new, I mean, new release for 2012, you know what I mean!

And I tried to say, I heard that Fox is in involved into canon story writing, so it wont be with absurdly story made by Gearbox or SEGA.
(Story takes place after Aliens (maybe Alien3 too) first on rescue ship and Sulaco, then both ships will be crashed to LV-246 where story will continue. (something like that)

'Prometheus': Blow by Blow on London's Footage Screening and Q & A with Scott, Theron, Fassbender, Rapace
10 April 2012



Tuesday morning in London, Twentieth Century Fox held the world’s first screening of 3-D footage from “Prometheus,” treating an early-morning crowd to three scenes and thirteen minutes followed by a Q&A session with director Ridley Scott (“Please stop calling me Sir Ridley”) and stars Noomi Rapace, Michael Fassbender and Charlize Theron. Fox is definitely keeping its powder dry for now: the footage didn’t contain any action, nor did it reveal much more beyond what we already know from the all-hell-breaking-loose trailer. Nonetheless, from an aesthetic, spectacle and performance perspective, it made an excellent appetizer for the cinematic experience Scott has in store.
First up was a scene where two research scientists (Rapace and Logan Marshall-Green) in the year 2089 discover some ancient cave paintings in the Isle of Skye, Scotland, that sit beside a peculiar etching of what looks to be an extra-terrestrial pointing to six celestial bodies in space. “It’s an invitation,” reasons Rapace’s earnest, bright-eyed Elizabeth Shaw. Not an invitation anyone who’s seen an "Alien" movie would accept but she’s convinced of its benevolence...

The next, most substantial sequence was set four years later on board the scientific exploration vessel Prometheus. Following two and a half years in stasis chambers, the ship’s 17 crew members are awakened by Michael Fassbender’s blond robot David. First out of her chamber is Theron’s Meredith Vickers, who launches into a few push-ups before casually asking David, “Were there any casualties?” Okay, we get it – she’s an ice maiden, evidence confirmed by the fact that she’s the Weyland Corporation suit heading up the mission. Also on board is Rapace, who is shown puking her guts out after emerging from her long outer-space nap.

Assembling the crew together, some of whom look so dodgy you wonder how they ever passed the rigorous job interview to get on board, Theron initiates a holographic presentation by big cheese Peter Weyland (Guy Pearce, coated in some very iffy-looking old-age prosthetics), who explains he’s dead by now. He hands the floor over to Rapace and Marshall-Green, who explain to a grumpy-looking crew their interpretation of the alien symbols and how they pointed to the very planet they’ve just pulled up beside. The final sequence showed the ship’s laid-back, bad-ass pilot (Idris Elba) guiding the Prometheus into a safe landing on said planet’s surface.

During the Q&A, Scott explained that “Prometheus” was born out of the questions that have been plaguing “Alien” lovers for decades: Who’s the big guy in the chair, why was he there, what was his cargo and where was he heading? (“I don’t know how he ever came to be called the Space Jockey,” Scott chuckled.) While developing the script, however, Scott found that the story “adjusted itself into much larger questions so that it barely contains ‘Alien’ DNA now.” Only in the final seven minutes of “Prometheus,” he revealed, will the two films link together.

Rapace gave a brief background précis on Elizabeth Shaw: she was raised in Africa by a father who was also a priest, thus making her a scientist “who possesses the great gift of believing.” Of course, that faith in God comes to be severely tested on the Prometheus mission, with Elizabeth forced to become “a fighter, a survivor and a warrior…I’m not sure she believes by the end.” When Theron was later asked whether she felt pressure to live up to Sigourney Weaver’s iconic Ripley, she swiftly batted the question over to Rapace – “That’s more Noomi’s character” – with the Swedish actress admitting, “It’s not Ripley but she is in the same family.”

As for Theron, she was initially worried that Meredith might come off as a one-note corporate bitch who’s “just there for the purpose of making everyone’s life hell.” But the actress added that the enigmatic Meredith is on board the Prometheus “for very personal reasons, of which I cannot speak."

Rapace’s performance looks promising but judging from today’s clips, it’s Fassbender who appears in serious danger of walking away with the movie. From the way he strolls around the ship in sandals with an arch robotic gait, to his display of childlike enthusiasm during the exposition presentation, to his referring to Theron’s Meredith as “Ma’rm” as if he’s addressing royalty, the actor conveys an unanticipated levity. Even Scott said he didn’t expect Fassbender to bring so much wit to David (who, the director adds, is “a nod to Ash”). “I thought you really walked like that,” he joked to the actor, who for his part listed one of his inspirations as Olympic diver Greg Louganis. “I loved watching him during the Olympics,” says Fassbender. “He had such a weird walk, it really made me laugh.”

Scott explained that, before they’d even greenlit the film, he convinced Fox to splash out a significant sum to allow his production designer Arthur Max and five top-notch industrial designers to nail down “Prometheus”’ design over a period of months. “One of the problems with sci-fi is that everything has already been used up – suits, corridors, ships,” he said. “But if you start with the characters, you can come up with the evolution for different looks.” He also expressed frustration at the MPAA’s seemingly random approach to ratings, saying he wanted Prometheus to get a rating “that allows it to make as much money as possible. I know the importance of that. When a big film fails, it’s disastrous for all of us.” But he also blasted some of the “films this year that have got PG-13 ratings – it’s absolutely fucking ludicrous. So MPAA, get your house in order.”

“Prometheus” marked Scott’s first 3-D shoot and, unsurprisingly, he deemed the technology “dead simple to use – it wasn’t a problem. Anyone who says it is just doesn’t know what they’re doing.” He also teased that “Prometheus” contains a sequence he calls “the equivalent to [“Alien”’s chest-burster] scene.” Rather than being a group scene, however, it will only feature Rapace’s character. The rest stays a surprise for now.

http://blogs.indiewire.com/thompsononho ... der-rapace