The Electro Legend Interviews have been curated from almost 20 years' worth of features in the UK music magazines Future Music and Computer Music.

Inside you'll find The Prodigy's mastermind Liam Howlett discussing the early rave scene, Gary Numan remembering the recording process behind his classic album Replicas, a rare and hilarious discussion with the reclusive genius that is Aphex Twin, an insight into the inner-workings of Kraftwerk and much more.

Each interview places an emphasis on the creative process behind the artist's electronic music-making, with in-depth discussions about their techniques, tricks and sonic equipment.

not gonna read yours if you're not gonna read mine

posted already Antz, look up ^

10. Listen to Superman
Drop the Vengeance sample libraries for a while and go find some new sample sources. Liam Howlett of The Prodigy suggests Superman albums: “You know, big theme tunes from films. You get a horn section playing a chord and just sample a short section of that. If I hear a chord I like, I sample it.” Electronic music was built on the foundation of sampling but these days it’s easy to get caught up in the masses of dance music sample packs that all sound very similar. Better yet, try walking around with with a field recorder for a day and sample everything you hear, from conversations to sound effects. Then use those in your productions. The feeling of knowing that nobody will ever be able to use the same sample (unless, of course, they sample it from you) is a nice additional bonus.

He promised lot of guitardriven tracks and almost no collaborations.

guitar driven doesn't sound to exciting to me

and a release by the end of the year is very unlikely (who does that any way? november, december, don't think so).