Finally found that part!
http://www.youtube.com/watch?v=JHD1B0DQKRQ
Watch from 4:45~ (he said it 7 times in 21 seconds : D)

Winding Up
More than a decade has passed since July 1, 1997, the day The Prodigy topped Billboard's album chart with The Fat of the Land's unprecedented–in terms of electronic music at least–first-week sales of more than 200,000 copies. The group's third LP would eventually go double-platinum in the U.S., largely thanks to the four-alarm beats of Liam Howlett and the sneering and shouting of a Johnny Rotten-ized Keith Flint on such crossover singles as "Firestarter" and "Breathe." It would also help herald the “New British Invasion” to some, and define the ether-borne “electronica” scene to others.

“Now I understand why [the electronica trend] had to happen, but we were disgusted about it at the time," explains Howlett, speaking from the studio as he finishes up The Prodigy's fifth full-length. "Like, 'What the fuck man? Let it be! The worst thing you can do right now is pigeonhole us.' None of us cared if electronica broke through or not, we cared about whether we broke through or not."

This is understandable. The Prodigy had been trying to invade the States since the early ’90s, when they split headlining duties with Moby on a tour that was "terrible" but entertaining for a tour bus full of 19-year-olds, who were already being called "kiddie rave" leaders in their native England thanks to such seminal hardcore techno singles as "Charly" and "Everybody in the Place."

"Some people totally got it and others were more like, 'What the fuck?'" says Howlett of the group's first U.S. trek. "We kinda liked being misunderstood, though."